Sometimes Copilot will be right, other times usefully wrong - but it will always put you further ahead. Copilot gives you a first draft to edit and iterate on - saving hours in writing, sourcing, and editing time. With Copilot in Word, you can jump-start the creative process so you never start with a blank slate again. Microsoft 365 Copilot transforms work in three ways: Now, you can be more creative in Word, more analytical in Excel, more expressive in PowerPoint, more productive in Outlook and more collaborative in Teams. You decide what to keep, modify or discard. You can give it natural language prompts like “Tell my team how we updated the product strategy,” and it will generate a status update based on the morning’s meetings, emails and chat threads. Business Chat works across the LLM, the Microsoft 365 apps, and your data - your calendar, emails, chats, documents, meetings and contacts - to do things you’ve never been able to do before. Today we’re also announcing an entirely new experience: Business Chat. It works alongside you, embedded in the Microsoft 365 apps you use every day - Word, Excel, PowerPoint, Outlook, Teams and more - to unleash creativity, unlock productivity and uplevel skills. “With our new copilot for work, we’re giving people more agency and making technology more accessible through the most universal interface - natural language.”Ĭopilot is integrated into Microsoft 365 in two ways. “Today marks the next major step in the evolution of how we interact with computing, which will fundamentally change the way we work and unlock a new wave of productivity growth,” said Satya Nadella, Chairman and CEO, Microsoft. It combines the power of large language models (LLMs) with your data in the Microsoft Graph and the Microsoft 365 apps to turn your words into the most powerful productivity tool on the planet. Introducing Microsoft 365 Copilot - your copilot for work. Today, we are bringing the power of next-generation AI to work. To reconnect to the soul of our work, we don’t just need a better way of doing the same things. But today, we spend too much time consumed by the drudgery of work on tasks that zap our time, creativity and energy. The urge to connect to the core of our work lives in all of us. Each of us seeks to do work that gives us purpose - to write a great novel, to make a discovery, to build strong communities, to care for the sick. Humans are hard-wired to dream, to create, to innovate.
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As one of the leading website creation tools from Google, it supports efficient and effective web development without needing any coding experience or a full website design agency. But we're more inclined to add "interactivity" through other visual means, like dynamic navigation, animated flip "tiles" and other transitioning image techniques to communicate motion while also avoiding the foibles of a large sliding image at the top of the main page of our websites - arguably the most important place to get your key message across, and where the data show you're not likely to succeed in doing so if you use a slideshow.If you’re looking to create a feature-packed online presence for your business, Google Sites is an option worth considering. Certainly, they had visual interest and virtual "action" to a webpage. We're not saying absolutely that you shouldn’t use carousels at all in your website design, but there should be a good reason for using them other than that you (or your marketing director) like it. So if important text is superseded by a slideshow that has little real content value, you may have created something that looks nice but has little or no value for the user (or your marketing plans). That's fine for people, but Google looks for relevant concepts and keywords in the first content areas it sees. Certainly, users expect to scroll to get to content as they increasingly use smaller devices with smaller browsers. Too many bounces or failed page loads will hurt your Google rankings.Ĭarousels push content down "below the fold": While "above the fold" content is perhaps not as important as it once was for people, and we at Eternity Web have argued for a long time that getting more (and more relevant) content onto the homepage is critical for SEO, it’s still not recommended by Google that you push content lower down the page. Frequently, slideshows are not optimized for image density, so the entire user experience can be slowed down, or even interrupted. Homepage slideshows can adversely affect site load time: More images means more to download, and slideshows can frequently cause a site to load slowly on users' connections. The lack of content means that it’s difficult to get meta inform Also, because the slideshow contains numerous possible headlines for Google to read, the impact of critical keywords is devalued, and it can get "confused" about the real purpose and validity of the website. Slideshows & carousels hurt search engine performance: Though Google and other search engines can read text on slideshow images if it's properly coded, there's typically hot enough content for the text to be search-relevant. Since so many businesses reply on those images to impart their mission, core market strategy, or promotional content, it's critical that we find other ways to deliver these types of messages. Most people simply ignore the big moving image, and don't note the text on the image. But according to a 2013 study, just 1% of people click on carousels (Erik Runyon, ). Certainly, one reason clients ask for a slideshow is because they've seen it used so much - so the presumption is that it must be effective. It seems to us that it's tough to stand out if you look just like most of the marketplace. Homepage slideshows are cookie cutter: We estimate that at least 8 out of 10 websites have a moving "hero" image. Here's our thinking, and our reasoning for really pushing the no-carousel philosophy in 2016 and beyond: But it's time for its retirement, if not its outright death knell. Since commercial websites have only been around for about 23 years, the homepage slideshow has lived a long and full life. It's been a ubiquitous design element of websites for perhaps 15 years. It is our belief that, except for many e-commerce sites where merchandising and promotions might be effectively managed by a well-thought-out sequence of calls to action, the homepage slideshow has done its duty. Indeed, even as we have discouraged our clients from using image slideshows on their homepage, we still frequently end up including them in the final product. Like many common things, it has many names. One of the website design elements that comes up in discussion a lot at Eternity Web is the homepage carousel, or slideshow, or "hero" image slider. Related: Will Vampire Survivors Release on Nintendo Switch? – Answered How to Install and Play Vampire Survivors on Android and iOS? – Explained In the meantime, we ask you to go help out poncle by testing the hell out of the beta. Screenshot by Prima Games When Will Vampire Survivors be Fully Playable on Mobile (Android and iOS)?Īt this moment, it is not known when poncle will have the full (stable, properly working) version of Vampire Survivors for Mobile (Android and iOS), but we promise to update this article when a public release is available. Here’s a menu screenshot we made as a teaser and proof of life: The more players do their part in reporting bugs, the faster we will get the full version for everyone. Poncle has started a closed beta on their official Vampire Survivors Discord Channel! If you wish to participate in the development of this lovely game, you can head out there and start testing with the rest of the community. Now, Vampire Survivors is officially and publicly available on Android and iOS.Ĭurrently, Vampire Survivors is not publicly available on Mobile platforms (Android and iOS), but we have some good news for you. Important Update: This is a legacy article pertaining to the Closed Beta for Vampire Survivors on Android and iOS. Is Vampire Survivors available on Mobile (Android and iOS)? Players keep asking if you can play Vampire Survivors on Android and iOS or not, and Prima Games brings the freshest information on the matter below. Many copycats exist on Android and iOS at the moment, each of them trying to capitalize on the market poncle has not tapped upon yet. In the Fall of 2022, Vampire Survivors got its full release on PC, and shortly after, it got released on Xbox Series X and S. What started out as a weekend project has reached unimaginable heights. Vampire Survivors is most probably going to go down as the best Indie game of 2022 in many players’ books worldwide. (You can select from Paleo, keto, vegetarian, fully plant-based/vegan, Mediterranean, and of course, “anything”) It not only takes into account your personal details (height, current weight, age, sex), your estimated basal metabolic rate (or BMR), physical activity levels, and the amount of weight you want to lose, but also allows you to: The Precision Nutrition Weight Loss Calculator is special for other reasons, too. More Benefits of this Weight Loss Calculator It makes it easier to set appropriate behavior goals and gives you a more realistic view of what your potential progress could look like. That’s why it’s important to make sure your expectations about weight loss and body fat change are in line with how your body actually works. And conventional math doesn’t take this complex nature of human metabolism into account. (Which is still awesome, obviously.)Īs mentioned above, your metabolic rate adjusts as you eat less and lose weight. Instead, Vanessa would lose only about 40 pounds. (Math: 246,375 calorie deficit / 3,500 calories in 1 pound of body fat = 70 pounds lost.)īut the body doesn’t work that way. This would, theoretically, lead to a 70-pound weight loss for Vanessa. (Math: 675 calorie deficit x 365 days = 246,375 calories.) If you do conventional calorie math, these numbers don’t make sense.Ī daily calorie deficit of 675 calories would lead to a deficit of 246,375 calories over a full year. (In other words, it’s 675 calories lower than the number of calories required to maintain her weight.) That results in a calorie deficit of 675 calories. The calorie calculator suggests she’ll need to reduce her food intake to around 1,770 calories per day. Let’s say Vanessa wants to lose 40 pounds (so a goal weight of 145 pounds) in a sustainable way over the course of the next year, without doing any additional exercise. She’s 40 years old, 5’ 6” tall, weighs 185 pounds, has a very low level of activity at work, and a moderate level of exercise activity.īased on this information (including her estimated basal metabolic rate, or BMR), our calorie calculator has determined that she needs around 2,445 calories per day to maintain her weight. To understand why this weight loss calculator is so helpful, let’s use an example client: Vanessa. Advantages of this Weight Loss Calculator This excellent weight loss calculator-based on the NIH Body Weight Planner and adapted from research collected at the National Institute of Diabetes and Digestive and Kidney Diseases-takes into account the adaptive nature of metabolism and gives more accurate information on how many calories you’ll need to eat (and how long it may take) to reach your weight loss goals. As you eat less, your metabolic rate slows, throwing off common assumptions about calorie balance. As discussed in this article all about the myth of metabolic damage, your metabolism is adaptive. (Math: A daily calorie deficit of 500 calories x 7 days = a total calorie deficit of 3500 calories per week = 1 pound.)īut that conventional wisdom is wrong. Yes, conventional wisdom states that reducing your calorie intake (or increasing the amount of calories burned) by 500 calories a day should lead to about 1 pound of fat loss per week. “I’ve been tracking my calories in and calories out religiously… but I’m not losing as much body fat as I should. One of the most common questions Precision Nutrition certified nutrition coaches get from their new clients: © Precision Nutrition Why This Weight Loss Calculator Is Special CP3: How to Solve Behavior-Change Challenges.NCA3: How to Solve Common Nutrition Challenges for Athletes.NCA2: How to Create Personalized Nutrition Programs for Athletes.CDS2: How to Coach Intermittent Fasting.CP3: How to Solve The Toughest Behavior-Change Challenges.CP2: How to Talk to Clients to Help Them Change.Level 1 Sleep, Stress Management and Recovery Certification. Before we see if Zuri and Freddie won the escape room, let's summarize. Finally, the last step is to check to make sure the analog and digital clock match. The second step is to identify the minute and count forward to put the minute hand. : "We got another clock done!" : "I'm starting to feel like we've got a hang of this!" Freddie and Zuri have found the last clue! If their next clock displays the time six ten, how can they display this on their analog clock? The first step is to find the hour and put it on the analog clock. We can do this by making sure the hour and minute are THE SAME on both clocks. Finally, they need to check the digital time to make sure that it matches the time on the analog clock. What minute is displayed here? The minute is seven, so, Zuri and Freddie need to count forward to seven on the analog clock. Zuri and Freddie should point their hour hand to the number three. What is the hour displayed on the digital clock? The hour displayed is three. If their next clue is the digital time three o' seven, how can they match it to the analog clock? Start by looking at the hour displayed on the clock, this is where we need to point the hour hand to. and the minute on the clock is five, which matches the minute hand : "Woohoo! We got the first clock matched!" : "Woah, look at that Zuri, a key popped out of the clock!" : "I bet if we solve the other clocks we'll get keys and escape and win!" Zuri and Freddie have just found their next clue and need to match it to the analog clock. The hour on the clock is twelve, which matches the hour hand. The final step is to check the digital time to make sure it matches. We can count forward by ones to find the exact minute. The minute hand should point to the exact minute. What minute is displayed here? The minute here is five. You can find the minute by looking at the digits to the right of the colon on the digital clock. Zuri needs to put the SMALLER hour hand pointing towards twelve. What hour is displayed on this digital clock? The hour displayed here is twelve. On a digital clock, the hour is displayed on the LEFT of the colon. start by looking at the hour displayed on the clock (.) this is where we need to point the hour hand to. When representing time from a digital clock to an analog clock. They need to represent this on the analog clock. : "Look Zuri a digital clock!" : "It's the last task for this room, too!" : "Now we just need to put it on the analog clock!" : "Telling Time from Analog and Digital Clocks" Zuri and Freddie have found the time twelve o' five. : "Woah, what's that stone?" They need to match the time from the digital clocks to the analog clocks in order to win the escape room. Zuri and Freddie are completing their very first escape room. Americans were horrified in the summer of 2020 at the horrific killings of George Floyd, Breonna Taylor, and others during encounters with police. gov Downtown 157 Poplar Avenue Room 124 Memphis, TN 38103 P: 901. Kentucky Court of Justice - Kentucky Court of Justice. The mission of Root Out Racism is to address systemic racism in the green industry through positive representation, education, conversation, and financial philanthropy. Despite backlash from a weeklong clerk office closure coinciding with a trip to Jamaica, Shelby County Clerk Wanda Halbert issued notice Tuesday she plans to shutter the office for a.Shelby County Trustee P. These tragedies highlighted the deep-seated injustices that have long affected Black Americans and denied equal justice for all. Vision: We aim to recognize the uniqueness, existence, and contributions of underrepresented people in horticulture. More complex systems modeling approaches are also needed that seek to capture the. Not only is our criminal justice system broken, but racial disparities continue to exist in many aspects of American life and our economy, including income, wealth, housing, health care, and access to higher education. of bias and then a follow-up question ascertains the main reason. For too long this country has ignored the need to engage in real, serious policymaking focused on eliminating these disparities and ensuring that every American has an equal shot at ‘life, liberty, and the pursuit of happiness.’ This work involves risking ourselves for the sake of God’s love, moving beyond ourselves in order to seek and serve Christ and one another. We invite you to add your name to this covenant and join us as we work to root out racism. Individuals, parishes, groups, dioceses as well as community leaders and businesses are all welcome to be a part. That’s why House Democrats passed the George Floyd Justice in Policing Act in 2020 to root out bias in police departments and ban practices such as chokeholds and no-knock warrants. For a significant portion of American history, gun laws bore the ugly taint of racism. It’s why Democrats are continuing to make equity and reducing disparities a focus of our economic agenda and our approach to addressing the COVID-19 crisis, which has highlighted the many racial disparities in health care in our country. On the racist history of gun laws, see generally Clayton E. Cramer, The Racist Roots of Gun Control, Kan. Pol’y, Winter 1995, at 17 (arguing that American gun laws were designed to disempower racial minorities) and Robert J. "I got my love of animals from the Dr Dolittle books and my love of Africa from the Tarzan novels," she says. However, she burned with two passions: a love of animals and a love of Africa. Goodall had no academic training, having grown up in the middle-class gentility of Bournemouth in the postwar years, a time when women were expected to be wives and little else. Now aged 76, she exudes a calm confidence as she travels the world, promoting green causes established by the Jane Goodall Institute, which she set up in 1977 in order to promote research at Gombe and to protect chimpanzees and their habitats.īut in 1960, she looked an unlikely scientific pioneer. Her long blond hair, tied back as usual, has turned silvery grey. Today, Goodall is a gracefully aged replica of the young woman who first set foot at Gombe five decades ago. These celebrations began yesterday at the Berlin film festival with the premiere of Lorenz Knauer's documentary about Goodall, Jane's Journey – which includes a walk-on part for Angelina Jolie – and will continue throughout the year. We therefore have much to commemorate 50 years after Goodall began her strolls through Gombe. This work has held up a mirror, albeit a blurred one, to our own species, suggesting that a great many of our behaviours, once thought to be uniquely human, may have been inherited from the common ancestors that Homo sapiens shared with chimpanzees six million years ago. They also made war, wiping out members of their own species with almost genocidal brutality on one occasion that was observed by Goodall. They experienced adolescence, developed powerful mother-and-child bonds, and used political chicanery to get what they wanted. Goodall's subsequent observations found that not only did Pan troglodytes – the chimpanzee – make and use tools but that our nearest evolutionary cousins embraced, hugged, and kissed each other. As the distinguished Harvard palaeontologist Stephen Jay Gould put it, this was "one of the great achievements of 20th-century scholarship". Certainly, there is little doubt about the importance of Goodall's discovery five decades ago. His response has since become the stuff of scientific legend: "Now we must redefine man, redefine tools, or accept chimpanzees as humans." Leakey was exaggerating but not by much. Goodall telegraphed her boss, the fossil-hunter Louis Leakey (father of Richard), with the news. Recommend removing and working on only one pin at a time so you dont get the wrong pins in. Η εξωτερική και εσωτερική συσκευασία τους να είναι άψογη. TE connectors and sensors are embedded in many types of technological devices, where reliable and persistent data, power, signal, and sensing connectivity.Includes both male and female connectors. Find Computer Products, Electromechanical, Electronic Design, Electronic Kits & Projects and more at. Visit for a wide range of connectors that suit your needs. This would be compatible with 32 bit and 64-bit windows. This is a complete offline installer and standalone setup for VideoHive – 1000 Premiere Pro Transitions. 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The color balance module then introduced a way to deal with a variable definition of middle-gray. The filmic module’s view transform, introduced in darktable 2.6, was the first step toward a scene-referred pipeline, and deferred the mandatory, non-linear, display preparation to the end of the pipe, along with the ability to set custom black, gray and white values. However, not all modules and filters clipped pixel values above 100%, leaving open the possibility of recovering those values later in the pipe. Versions of darktable prior to 2.6 had a non-linear display-referred pipeline, assuming that a non-linear transform took place early in the pipe and middle-gray was thereafter encoded as 50%. The scene-referred workflow simply aims at remapping some arbitrary scene luminances to what will appear white or black on the output medium. In fact, white and black mean nothing with regard to the original scene, which is only a collection of luminances at varying intensities. This would mean they have no light at all, and the existence of zero light breaks many physically-accurate algorithms. This requires a more complex user interface.Īlso, because scene-referred values are supposed to be physically-meaningful, pixels cannot have zero intensity. However, scene-referred pipelines lose the convenient fixed values of white, middle-gray and black which characterised display-referred pipelines, and setting these values, according to the scene and to the conditions of shooting, now becomes the responsibility of the user. This means that the RGB values of the pixels are kept proportional to the intensity of the light emission recorded by the camera on the scene, enabling accurate alpha compositing and optical filter emulations, while also scaling to any dynamic range through the same algorithm (SDR as well as HDR). In scene-referred workflow, pixels are prepared for display only at the last stage of the pipeline, in the display transform. These possibilities enable what we call a “scene-referred” workflow, in which pixels can retain their original radiometric relationships along almost the entire processing pipe. Modern computers are not tied to the same computational limitations as those from the 1990s, and can work on pixels whose values are completely unbounded (from 0 up to +infinity) and encoded as real numbers (using floating point formats). They also don’t scale well to HDR images, which led to the development of many questionable local and global tonemapping methods and the infamous 2010s “HDR look”. Hue and saturation change in unpredictable ways, and value relationships between neighbouring pixels are dilated or compressed such that gradients are also altered unpredictably.ĭisplay-referred pipelines therefore break optical filters (lens blurring or deblurring), alpha compositing (which relies on optical and geometrical definitions of occlusion), colors and gradients (local relationships between chrominance and luminance of pixels). Unfortunately the non-linear scaling, which is mandatory to make the integer encoding work, breaks the natural relationships between pixel values. For example, the overlay blending mode expects a middle-gray encoded at 50% (or 128 in integer encoding). Most of the image-processing algorithms used in these workflows have been tuned around these assumptions. They rely on the assumption that the image has been prepared for display at an early stage in the processing pipeline, and embed hard-coded assumptions about the RGB values of black, middle-gray and white. These workflows, using bounded RGB representations and possibly non-linear transforms to encode RGB signals, are called “display-referred”. Anything outside of this range overflows and is clipped to the nearest bound. The 8 bit integer formats are also technically limited to the 0-255 range. However, due to the use of an integer format (which implies rounding errors) they had to apply a “gamma” (essentially a transfer function applying a power 1/2.2 or 1/2.4 to encode the RGB values) and increase the bit-depth in the low-lights in order to reduce rounding errors there (humans are very sensitive to low-light details). These applications processed images encoded with 8 bit unsigned integers because it was more memory- and computationally-efficient. Most image processing applications come from the 1990s and/or inherit a 1990s workflow. |